Visuals to Die for in Momom by Oh Hyuk and Cifika.

The lead singer of Korean indie rock band Hyukoh has teamed up with underground electronic princess Cifika to create perfect, brilliant visuals in Momom music video.

 

I really try to mix things up and write about a wide range of artistic forms of expression. I guess the biggest challenge lies in writing about something other than K-pop music videos – but it’s not my fault the Korean music scene is so damn innovative. ¯\_(ツ)_/¯

Momom is a song by Oh Hyuk, the lead singer in Hyukoh (which I wrote about here), and Cifika, one of my favourite human beings ever. Go ahead and watch the Momom music video below if you wish to get floored by their aesthetic!

 

Music video aesthetics by OHHYUK and CIFIKA

Music video aesthetics by OHHYUK and CIFIKA

Music video aesthetics by OHHYUK and CIFIKA

Music video aesthetics by OHHYUK and CIFIKA

Music video aesthetics by OHHYUK and CIFIKA

Perfect Bollywood Aesthetics in Padmavati.

Bollywood movies are the epitome of cinematography to me. Since I could not care less about the plot when watching any movie really,  I just tune in for the aesthetics. And watching a Bollywood movie is like watching a three hour long music video =  <3334ui2oui43i

 

Padmavati is an epic period drama about the legendary Rajput queen, directed by Sanjay Leela Bhansali. The movie was supposed to be released in December, but due to certain controversies, the release has been postponed to February. And I really cannot wait. Sanjay Leela Bhansali’s movies are so aesthetic omg. You can watch a clip from Padmavati below!

Oh and since there is plenty of time until Padmavati’s release in February, you have the chance to watch Sanjay Leela Bhansali’s other masterpieces before then, namely Ram Leela and Bajirao Mastani. (Omg click those links your life will be so much more fun if you do!!)

 

padmavati

padmavati

padmavati

Korean Superstar Hyuna’s Aesthetic Music Video to Lip & Hip!

K-pop is the best thing since sliced bread and that’s a fact. My friends might think I’m being ironic when I share my love for Korean music, but I don’t know if you watched BTS perform at the American Music Awards this year? Well. Joke’s on you dear friends. International K-pop appreciation is a now a thing.

 

Over the past couple of weeks I’ve been anticipating the release of Hyuna’s latest single Lip and Hip. To give you some context, Hyuna debuted as a girl group member at the age of 14, and began her solo career in 2010, at the age of 18. Her first single as a solo artist, Bubble Pop, was a huge success. But the track’s video and performance was deemed “too sexually suggestive” by the Korea Communications Commission (KCC), so promotions of the song were brought to a halt. Since then several songs and choreographies by Hyuna have been banned, such as Change and Very Hot, for being too explicit. And just to be clear. By “too explicit” they are referring to the fact that Hyuna does the split in one of the videos.

In a culture where cigarettes and tattoos are blurred out in music videos, and girls who act cute and innocent become more popular (á la Girls’ Generation) – you would think that Hyuna would be discouraged and opt for a less provocative persona. But no! Hyuna breaks just about every social norm for women in Korean society, and is super unapologetic about it. Not to mention the aesthetics of all her music videos! Watch the video for Lip & Hip below!

 

Music video to Lip & Hip by Hyuna.

Music video to Lip & Hip by Hyuna.

Music video to Lip & Hip by Hyuna.

Music video to Lip & Hip by Hyuna.

Music video to Lip & Hip by Hyuna.

Music video to Lip & Hip by Hyuna.

Solange’s Iconic Performance at the Guggenheim Museum.

Growing up as a die hard Destiny’s Child fan, you bet I’ve had my eyes on Solange since the days of her sister Beyonce’s girl group. I distinctly remember staying tuned on MTV just to watch Solange’s music video to Feelin’ You. And listening to I Decided while biking to and from school every day. Although I loved everything Solange did from day one – little did I know she would become one of her generation’s most forward-thinking artists.

 

Of course if you’re reading this you have already watched the music videos to Don’t Touch My Hair and Cranes in the Sky… because otherwise you would be in jail by now. Jail for people I don’t like. Rather than writing about the aforementioned videos, I wish to spotlight Solange’s live performances.

 

In 2016 Solange channeled the message of her album A Seat at the Table through a performance piece titled An Ode To, at the Guggenheim Museum. She requested that the audience come dressed in white, and banned usage of all phones and electronic devices. Hence there being very little documentation of this event.

The message that Solange communicates through her music is clear: it’s all an intelligent commentary on racism, and a celebration of blackness. After the standing ovation, Solange gave a speech regarding her role as a black artist in a predominantly white art world : “inclusion is not enough”. It’s time to enter institutions and tear “the fucking walls down.”

Solange has some of the best curated aesthetics out there. But most importantly – Solange turns the idea of museum exhibitions as we know them, into a safe space for activism through creative expression. 

 

'An Ode To' performance by Solange at the Guggenheim

'An Ode To' performance by Solange at the Guggenheim

'An Ode To' performance by Solange at the Guggenheim

Images above via Solange’s Instagram.

 

"an Ode to " 2017 @guggenheim museum

A post shared by Solange (@saintrecords) on

"an Ode to" 2017 thank you @guggenheim @rbma

A post shared by Solange (@saintrecords) on

 

 

On top of her Guggenheim performance, Solange has also performed at the Pérez Art Museum Miami and the Menil Collection. You can also view an online interactive for the Tate Modern, titled Seventy States here.

 

Since there is no decent footage from any of Solange’s museum performances I thought I’d add a clip from her Jimmy Fallon performance instead. It’s phenomenal.

CONTEMPORARY ART YOU GUYS <3333

Argentinian rapper Nathy Peluso is serving some millennial aesthetics in SANDÍA music video.

My latest obsession is the music video for SANDÍA by Argentinian rapper Nathy Peluso. This vaporwave aesthetic is so millennial it makes me want to put it in a time capsule and preserve it for generations to come – together with a note saying “this is the aesthetic the post-internet era was all about”.

 

For those of you who are not down with the millennial lingo, vaporwave is basically a subculture of music and art that satires and celebrates pop culture. The visuals of vaporwave are coincidentally enough referred to as ‘aesthetics’. If you’re looking at something pink, with a marble classical bust, nostalgic imagery from the 90’s, and a glitching, stretched out font – you’re probably looking at a vaporwave aesthetic.

You can definitely see the vaporwave influences in SANDÍA by Nathy Peluso. Like Cabanel’s Venus photoshopped in front of a picture of Ciara = my two favourite things in life.  <3

 

Music video to Sandia by Nathy Peluso

Music video to Sandia by Nathy Peluso

Music video to Sandia by Nathy Peluso

Music video to Sandia by Nathy Peluso

Music video to Sandia by Nathy Peluso

Music video to Sandia by Nathy Peluso

 

Parekh and Singh – Indian Indie Pop with a Wes Anderson Aesthetic.

The music video to ‘I Love You Baby, I Love You Doll’ by Parekh & Singh is everything I have ever wanted and more. A combination of India and Wes Anderson-aesthetics? Yes please!

 

The Kolkata based indie pop band Parekh & Singh consists of musicians Nischay Parekh and Jivraj Singh. The music video to  ‘I Love You Baby, I Love You Doll’ was shot on a budget of just US$5000! Consequently the duo had to DIY location scouting and art direction themselves. This Wes Anderson inspired music video is such an Internet gem!

 

Parekh & Singh - I Love You Baby, I Love You Doll

Parekh & Singh - I Love You Baby, I Love You Doll

Parekh & Singh - I Love You Baby, I Love You Doll

Parekh & Singh - I Love You Baby, I Love You Doll

Parekh & Singh - I Love You Baby, I Love You Doll

 

Follow Parekh & Singh on Instagram here!

Lithuanian Rapper Tommy Cash.

Hey! Do you want to watch the most unsettling music video ever? Let me introduce to you the Lithuanian rapper Tommy Cash. Gird your loins dear reader, ‘cus we’re about to shake it to the core with this one!

 

Tommy Cash grew up in a poor neighbourhood in the suburbs of Tallinn, Estonia. In an early press shoot he is seen ordering at a McDonald’s drive through on a horse. In an interview with The Guardian he says “I like to make things I’ve never seen before”. And his Instagram is a highly provocative form of self expression. Trust me, I’ve really tried to find more facts about this guy, but Johnny Cash remains an artistic enigma.

Although Tommy Cash’s visuals are questionable at best, I do consider him to be the quintessential contemporary artist. In the hyper-digitalised world we live in – where kids consume visual content at an accelerated speed – Tommy Cash has managed to combine stupidity, brains and talent in a way that leaves his audience at a loss for words.

Watch the music video to Winaloto below; a film that Tommy Cash directed himself, and his girlfriend Anna is the producer and stylist. As with a lot of art, I am so confused as to whether it is a thoughtful commentary on racism… or straight up the most racist stuff I’ve ever seen. But I like to give most artists the benefit of the doubt and opt for the first theory. With that being said, it’s sexist af. But hey! All is fair in love & war… and art? ¯\(°_o)/¯  All I know is that Tommy Cash is onto something. His Post-Soviet trap rap and very innovative visuals have me hoping that there is a lot more where this came from!

tommy_cash_winaloto

tommy_cash_winaloto

tommy_cash_winaloto

tommy_cash_winaloto

tommy_cash_winaloto

tommy_cash_winaloto

If you wish to see more from Tommy Cash I highly suggest you watch his Colors performance here, watch the music video for Surf here and follow him on Instagram here.

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent recently released two very colourful music videos for her songs New York and Los Angeles. Venezuelan artist Alex da Corte directed both videos and applied his unique aesthetic touch to each scene. Consequently these flamboyant films have garnered a lot of attention in the ‘art-blog world’.

Posted below are stills from New York, a song rumoured to be about St. Vincent’s ex-girlfriend (/fiancé?) supermodel turned actress Cara Delevingne. 

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent’s music video for New York directed by Alex da Corte.

St. Vincent’s music video for New York directed by Alex da Corte.

German Rap by Ace Tee.

Sooo Bist du down is obviously old news and we have all watched this German masterpiece a million times by now. But JUST IN CASE somebody out there loves a good 90’s hip-hop aesthetic and missed it… you now owe me your firstborn.

The 23-year-old German/Ghanaian Tarin Wilda, known as Ace Tee, directed the music video to Bist du down herself. I am actually sharing this in light of Ace Tee’s recently released EP, which is accompanied by not one, but TWO MUSIC VIDEOS. You can watch both music videos here. And don’t forget to watch the music video to Bist du down below.  ***blessed***

Sticky Situation by QUIÑ.

Loook at this super nice music video by super nice Quiñ. In her Instagram bio, Quiñ describes herself as a “FANTASY GIRL IN A FANTASY WORLD MAKING FANTASY SOUL MUSIC”. A description I am very here for. And although the video is pink and perfect, Sticky Situation is about losing interest in your partner: “I only pursued you for the booty, babe. Now you glued to me.” : /  Oh and Syd is obviously an absolute blessing to any song at all times.

Screen Shot 2017-08-20 at 22.19.59Screen Shot 2017-08-20 at 22.20.52Screen Shot 2017-08-20 at 22.21.22Screen Shot 2017-08-20 at 22.20.11Screen Shot 2017-08-20 at 22.20.38